MTN

<p>Abbot Kinney Boulevard has cycled through enough restaurant concepts to make any opening feel provisional, but MTN carved out a specific identity on that Venice corridor: an izakaya-style Japanese kitchen that took California produce seriously without losing sight of the format's original purpose as a place to drink, eat small plates, and stay longer than planned. Counter seating, an open kitchen, and a retractable roof gave the room a social energy that matched the menu's logic of shared, repeatable ordering.</p> <p>The food ran along two tracks. One was vegetable-forward small plates — dishes like orange kabocha curry and mushrooms baked in yuzu butter that drew on Japanese technique while leaning into the seasonal California pantry. The other was ramen, offered in multiple broths including pork bone shio and a kombu shiitake version, which reviewers at the <em>Los Angeles Times</em> and Time Out both flagged as among the more considered bowls available in the city at the time of opening in 2017. Grilled dishes and sashimi filled the space between those two poles, keeping the menu close to izakaya convention without being rigid about it.</p> <p>Travis Lett, whose Gjelina and Gjusta operations defined much of Venice's dining identity through the 2010s, was the operator behind MTN, with Pedro Aquino serving as chef de cuisine. That lineage mattered in context: Gjelina had already demonstrated that Abbot Kinney could support a full-evening destination rather than a quick-service stop, and MTN applied a similar philosophy to a Japanese framework. Pricing sat in the mid-to-upper casual range for the neighbourhood, with ramen bowls around $18–$20 and a full meal for two reaching approximately $150 with drinks.</p> <p>MTN is now closed, and current directory sources list it as no longer operating. Its run on Abbot Kinney represented a particular moment in Los Angeles dining when izakaya formats were being reinterpreted through a California lens with enough seriousness to attract critical attention, even if the format never translated into the kind of longevity that Lett's other projects achieved.</p>

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