Jamie Boudreau

The Essentials A working eye for place reads in proportion, horizon, and memory. Jamie Boudreau’s line about Kits turns on that kind of calibration: English Bay, Stanley Park, and the North Shore are not just named landmarks, but the measure against which another view gets judged. The standard is clear, and so is the tone—no grand claims, no grievance, just a clean comparison between one outlook and another. What stays with the sentence is its restraint. It acknowledges what the eye misses, then leaves room for what it can still accept.

In Their Words The sentence works because it does not overstate either side of the comparison. “I dearly miss” gives weight to the earlier view from Kits; the list of English Bay, Stanley Park and the North Shore fixes that memory in place with specific geography rather than sentiment alone. The second clause resets the register. “This isn’t half bad either” lands as understated approval, the kind that comes from having seen enough to compare without needing to rank every scene as better or worse. Kits is the reference point, and the North Shore returns as part of the remembered frame, which tells you how much of a view can become part of a working standard. The quote keeps that standard intact while making room for a new one. It doesn’t ask for equivalence. It simply accepts that a different outlook can still earn respect on its own terms. What gives the line its shape is the balance between attachment and acceptance. The language stays grounded in lived geography—English Bay, Stanley Park, the North Shore, Kits—and never pushes past what it actually says. That restraint is the point. Jamie Boudreau’s remark treats comparison as a practical act: note what was good, note what is good now, and leave the rest alone.

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