Julien Guillot, winemaker at Domaine des Vignes du Maynes in Cruzille, keeps biodynamic cellar work tied to an ancient clos.
Julien Guillot layers whole clusters and destemmed berries for red wine as winemaker at Domaine des Vignes du Maynes in Cruzille. The gesture belongs to a place older than most Burgundian labels: a clos first established in 910 by monks of the Abbey of Cluny, on eastern-facing clay-limestone slopes in the northern Mâconnais. Guillot has held the post since 2001, long enough for the work to read less as a personal signature than as stewardship repeated through vintages.
The estate came into his family in 1952, and its modern discipline rests on continuity rather than correction. Organic farming began in 1954; biodynamic work followed in 1998. Guillot is the third generation at the domaine, and the point is not inheritance as ornament. It is time on the tools, the same vines, the same cellar, the same pressure to let Pinot Noir, Gamay, and Chardonnay carry Cruzille without forcing them into polish.
The domaine farms 8 hectares and produces around 35,000 bottles annually, with some additional organic fruit purchased for specific cuvées. Its practice is biodynamic, certified by Demeter, and organic by AB Ecocert. The vines have been worked without herbicides, insecticides, or synthetic fertilizers for over 70 years, a fact that gives the cellar its limits before any vat is filled.
In the whites, Guillot presses directly, avoiding skin contact so Chardonnay keeps its line of fruit and acidity. The reds follow a semi-carbonic method in wooden vats, built like a millefeuille of whole grape clusters and destemmed berries. Fermentations run on indigenous yeasts. The domaine uses no enzymes or chemical additives, ages in barrels and foudres, and avoids racking. Sulfur appears only in a minimal dose for white wines before bottling. The method is narrow by choice; it asks the fruit, the season, and the limestone to do more of the speaking.
The place keeps its weight quietly. Clos des Vignes du Maynes sits in a rural monopole setting around Cruzille, not as a polished visitor stage but as a working Burgundian estate where the vineyard and cellar remain close to one another. The room for tasting follows that mood: cellar visits, heritage site visits, and displays of wine-making tools are part of how the domaine receives people, with the work shown through implements, vats, slopes, and bottles rather than theatre.
That physical nearness matters here. The same clay-limestone ground that feeds the vines frames the tasting room conversation, and the cellar’s large oak vessels keep the scale human. Bourgogne, Mâcon, and Mâcon-Cruzille are not abstractions when the clos is just outside.
The portfolio stays close to the estate’s grammar: Manganite, Auguste, Nuit 1, Bourgogne Les Crays, Bourgogne Blanc Maxcération, Bourgogne Blanc Cuvée Léandre L'Homme Lion, and Mâcon-Cruzilles Aragonite. The names mark parcels, textures, and family memory without needing a larger performance. For Guillot, the next sentence is still written in the cellar, in the lees, the foudre, and Cuvée "910".
Cruzille, Bourgogne-Franche-Comté, Frankreich
Sagy / Rue des Moines, Cruzille