Antonio Fattori, winemaker at Fattori in Ronca, crafts Veneto whites and Valpolicella reds from basaltic hillside vineyards there.
Garganega, Durella and Trebbiano di Soave set the first terms of the work; Antonio Fattori, winemaker at Fattori in Ronca, keeps the white wines close to that mineral line. The estate sits at Terrossa di Roncà, above the Alpone Valley, where the family has worked vines since 1918 and where the modern cellar still answers to a narrow discipline: one place, one steady style, one set of hills. Antonio came from a Veneto farming family and was the first in his line to study viticulture and winemaking formally. He took charge at the end of the 1970s, then moved the family from selling fruit to making wine under its own label in the early 1990s. That shift matters here because the estate's identity is not broad for its own sake. Until 2007, Fattori was a white-wine house, built on Soave and Durello. The later Valpolicella work widened the cellar, but the bench still begins with altitude, acid and the feel of basalt in the glass.
The vineyards rise between 150 and 450 meters, with volcanic-basaltic soils on the Soave and Lessini Durello side and limestone with yellow sandstone in the Valpolicella parcels. The house farms a medium-sized family estate, with published accounts placing the vines between 57 and 87 hectares, so the work has scale without losing the pressure of site. Garganega carries the Soave line; Durella, with its natural acidity, goes toward Lessini Durello and the metodo classico program. One bottling, 36 Roncà Metodo Classico, makes the point directly, putting the village name on the bottle rather than hiding behind polish. After 2007, the Bastia property brought Corvina into the program for Valpolicella, Ripasso and Amarone della Valpolicella. The appassimento work belongs to a different patience than the whites: picked fruit dried for concentration, then carried through fermentation and oak with the risk of excess always close. Antonio's task is restraint, whether the material is Garganega from basalt or Corvina from the hills between Val d'Alpone and Val d'Illasi.
The place feels agricultural before it feels arranged. Around Terrossa di Roncà, the vineyard roads climb toward Monte Calvarina, an extinct volcanic slope, and the cellar sits within that rural weather: dry air, ventilated rows, valley light moving across the Lessini mountains. Inside, the tasting room and direct-sales counter do not need theatre. The counter belongs to a working winery, not a stage set, and the quiet suits the wines. A glass of Danieli Soave DOC draws the room back to the white bench; Sauvignon Blanc Trevenezie shows the estate's willingness to plant outside the indigenous register without leaving the Roncà soils behind. Sarah's Lugana sits in the same family of clean, bright wines, shaped less by flourish than by the discipline of definition.
Fattori's public story often turns on reach: Soave, Lessini Durello, Valpolicella, Amarone. The more useful reading is narrower. Antonio has kept the cellar anchored to crisp white wines while allowing the red program to add weight without taking over the house. The estate's current award count is 1, but the measure here is continuity from hill to bottle. The name that keeps returning on the bench is 36 Roncà Metodo Classico.
Roncà, Veneto, Italien
Terrossa di Roncà