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    Chef

    Yoshihiro Murata

    Owner & Chef, Kikunoi

    Discipline
    Chef
    Based in
    Kyoto, Japan

    Made By record

    Awards & recognition

    2 total

    2 winners

    Portrait of Yoshihiro Murata

    i. Biography

    Kaiseki’s Kyoto origin is not a backdrop detail; it defines the operating system of the cuisine. In Yoshihiro Murata’s work, the form is built around season, nature, ingredient quality, and umami, with the formal grace expected of Kyoto cooking. The craft depends on restraint: timing, sequence, vessel, temperature, and the ability to make memory and flavor sit in the same course without excess. Third-generation succession in a Kyoto house is both inheritance and production discipline. When Murata received Kikunoi in Gion, Kyoto, from his father in 1993, the responsibility was not only to maintain a dining room, but to carry a Kyoto sensibility forward and argue for Japanese cooking beyond its home context. The work keeps formal cuisine active: responsive to season, connected to the natural world, and precise enough to travel without losing its grammar.

    The Climb

    Kyoto refinement and international reach mark the professional arc. Yoshihiro Murata’s role as founder/creator at Japan Culinary Academy in Kyoto, Japan (from 2004), placed education beside cooking: a trade-level effort to define how Japanese cuisine could be taught, understood, and carried forward without flattening its foundations. The Kikunoi name extended through additional rooms as well as through the original house. Roan Kikunoi in Kyoto, Japan, kept the work inside the city whose seasons and customs structure the cuisine. Akasaka Kikunoi in Tokyo, Japan, moved that Kyoto-born sensibility into another setting while keeping the precision associated with the family restaurant. Japanese formal cooking also had to be tested outside the usual dining-room frame. Murata’s service as a member at Singapore Airlines International Culinary Panel put refinement into a travel context, where identity has to hold under different constraints. His collaboration at Tokimeite in London, England, placed Japanese cuisine in an international setting with the same requirement: clarity without dilution. The current titles remain practical as much as honorific. Yoshihiro is Third-generation Owner-chef of Kikunoi Honten and chef-owner of Kikunoi, roles that carry lineage, daily execution, and public advocacy for the form.

    Today

    Custodianship in kaiseki is active work. At Kikunoi, tradition functions as structure rather than checklist, giving each season a controlled way to register. The meal depends on rhythm and balance, including the relationships among vessel, ingredient, aroma, temperature, and sequence. Modern kaiseki at Kikunoi mixes imperial palace cuisine, tea ceremony tradition, vegetarian temple food, and obanzai. That combination gives the cuisine ceremony without removing warmth, and refinement without separating it from daily life. Each dish reflects nature and the seasons, with emphasis on seasonality and the quality of ingredients; the work is concentration, not display. Kyoto remains the reference point, but the presentation is broader by intent. In Murata’s cooking, kaiseki asks for attention to small changes: the clarity of dashi, the tenderness of wagyu, and the way umami gathers and lingers.

    Career - Third-generation Owner-chef — Kikunoi Honten, Gion, Kyoto, Japan - chef-owner — Kikunoi, Kyoto and Tokyo, Japan - founder/creator — Japan Culinary Academy, Kyoto, Japan (from 2004) - opened — Roan Kikunoi, Kyoto, Japan - opened — Akasaka Kikunoi, Tokyo, Japan - member — Singapore Airlines International Culinary Panel - collaborator — Tokimeite, London, England

    Signature

    Yoshihiro's signature dishes include New Style Dashi, Ichiban Dashi, Wagyu Sukiyaki, Wagyu Rei Ribeye Shabu Shabu, and Wagyu steak with wasabi. The signatures center the core tools of the cuisine. New Style Dashi and Ichiban Dashi point to depth built through clarity and restraint. Wagyu Sukiyaki, Wagyu Rei Ribeye Shabu Shabu, and Wagyu steak with wasabi show richness handled through framing rather than excess. The names are direct; the discipline is in how much is left controlled.

    In Their W