Perry's

Adams Morgan's Japanese Counter and the Scene Around It

Columbia Road NW carries a particular energy in the early evening: the blocks between 18th Street and the park shift from daytime foot traffic to something more deliberate, as the neighbourhood's mix of long-standing residents and newer dining arrivals settle into their respective grooves. Perry's sits along this stretch, at 1811 Columbia Rd NW, in Adams Morgan, Washington, D.C., a Japanese restaurant with a 2024 James Beard Award and a price tier of 3. Adams Morgan has long housed kitchens that attract serious attention without the institutional backdrop of Penn Quarter or Georgetown, and Perry's belongs to that tradition of neighbourhood-anchored ambition.

In American cities, Japanese cuisine has split into a legible set of tiers: the omakase counter charging triple digits per seat and booking months ahead, the izakaya operating on volume and accessibility, and a middle tier that applies rigorous Japanese technique to a more flexible format. Perry's occupies that third position in D.C., pairing the kind of precision associated with formal Japanese kitchens with a dining room that functions more like a neighbourhood restaurant than a destination tasting counter. The distinction matters. It shapes what you order, how long you stay, and what the room sounds like at full capacity.

Chef Masako Morishita and the Case for Emerging Recognition

The James Beard Foundation's Emerging Chef category, which recognised Masako Morishita in 2024, marks a chef whose work is actively reshaping how their cuisine reads in an American context. It identifies a chef whose work is actively reshaping how their cuisine reads in an American context, at the moment that reshaping is happening. That framing is useful here. Washington's Japanese dining scene has expanded considerably in recent years, with Omakase at Barracks Row and Kappo occupying the formal tasting-menu tier, and Shōtō working the modern izakaya register. Morishita's recognition by the Foundation places Perry's in a different conversation: not about format or price tier, but about a chef actively constructing something new at a particular moment in a particular city.

The 2025 Opinionated About Dining Casual North America listing adds a different dimension. OAD's casual category applies to restaurants where the dining experience is defined by something other than ceremony or occasion-marking. Inclusion signals that the kitchen produces food worth tracking on culinary terms alone, independent of tablecloth or tasting-menu architecture. Across the Atlantic and Pacific, the same designation appears on restaurants that would otherwise fly below the radar of award bodies focused on formality. For Perry's, it confirms a comparable set that prioritises cooking over theatre.

Local Ingredients, Global Technique: What the Category Means Here

Editorial angle that most usefully frames Perry's is the intersection of imported methodology and local sourcing, a pattern visible across Washington's more considered kitchens. Albi, working Middle Eastern flavours in Navy Yard, applies technique to regional American produce with similar intent. The dynamic appears at different price points across the city: Oyster Oyster roots New American cooking in hyper-local Mid-Atlantic sourcing, while Bresca and Gravitas apply European frameworks to whatever the Chesapeake watershed and surrounding farmland provide seasonally.

Japanese technique, applied outside Japan, has always carried this negotiation. The Chesapeake Bay, the Shenandoah Valley, and the market gardens of Maryland and Virginia offer a distinct material set: blue crab, rockfish, oysters from the Virginia coastline, pork from heritage farms in the piedmont, and seasonal vegetables with flavour profiles that do not map cleanly onto Japanese market staples. The kitchen that works with this material through a Japanese lens is doing something structurally different from the one importing Japanese product to maintain fidelity. Neither approach is automatically superior, but they produce different things, and they say different things about where the cooking is rooted.

At the highest level of this practice, Japanese kitchens outside Japan have produced genuinely distinctive work. Myojaku in Tokyo and Azabu Kadowaki represent the formal Japanese model in its home context, where technique and product are co-evolved over generations. What happens when that technique migrates to a city like Washington, with access to different products and a dining public shaped by different expectations, is a more open question. Perry's operates inside that question, which is part of what the Emerging Chef recognition implicitly acknowledges.

Perry's in Washington's Broader Japanese Tier

Washington's Japanese dining has grown more differentiated over the past decade. The city now sustains a credible omakase tier alongside more casual Japanese formats, and the gap between them is wider than in cities like New York or Los Angeles, where intermediate options are more numerous. In New York, restaurants positioned between the $300-per-head omakase counter and the neighbourhood ramen shop have well-developed identities; the middle tier is thick. In Washington, the equivalent tier is thinner, which means a kitchen like Perry's carries more weight as a reference point for what Japanese cooking at the casual-to-mid level actually looks like in this city.

For context on what James Beard recognition means at the national level, the Foundation's award history includes kitchens like Le Bernardin in New York, The French Laundry in Napa, and Alinea in Chicago among its long-term honourees, as well as more recent recognitions for Lazy Bear in San Francisco, Emeril's in New Orleans, and Single Thread Farm in Healdsburg. The breadth of that list signals that the Foundation's criteria reward cooking that advances a dialogue rather than merely executing an existing one. Morishita's inclusion in the 2024 cycle places Perry's in that company on process terms, not scale terms.

The Google rating of 4.6 across 1,268 reviews carries a different kind of signal. At that volume and score, it reflects sustained performance across a broad audience rather than high scores from a small group of engaged enthusiasts. For a neighbourhood restaurant in Adams Morgan, consistent delivery across a large and varied guest base is a harder operational achievement than occasional brilliance at a low-volume counter. It also suggests the kitchen is legible to guests who are not arriving with prior knowledge of Morishita's awards or the OAD listing.

Washington's broader dining scene at the premium casual level now includes strong competition from Beloved BBQ at Love, Makoto, which occupies its own distinctive lane. Perry's, with Japanese technique as its central framework, holds a position that few other D.C. kitchens currently occupy at this price accessibility.

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